![]() That can be a curse as much as a blessing too much white space can be overwhelming when trying to pinpoint where to start, and where to go. ![]() For many, staring at a blank screen or page brings about so many wonderful possibilities. Well my friends, as you may have already guessed, the solution to your problem requires a dash of “ outlining” structuring your story into sections so that you can plan ahead, and ensuring the correct flow of events to maximize the effectiveness of the story.Īs many writers know, this process can create some complications in itself, with lots of brainstorming, decision making, and (most importantly) story commitment. Additionally it also specifies what page or page range each beat should occupy in a typical 110 page screenplay. It provides a set of 15 clearly defined elements that every screenplay should have. However, you soon run into a complication how do I figure out what happens in this story, and when? How do I figure out how to give this story a good arc something that will keep readers attention? How do I ensure the characters are progressing correctly? In the year 2005, Blake Snyder famously introduced a 15 point beat sheet in his book book Save The Cat. You sit down in front of your laptop or notebook, and start writing. So, you have a book (or screenwriting) idea.
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